www.anatol.biz riders/accca/g_void/technic.php Last modified: October 13 2010 12:13:58. requested by CCBot/2.0 (http://commoncrawl.org/faq/) @ 54.162.181.75:42482


vOId_eléctrico - Technical Rider

V O I D
eléctrico


fotos © Paulo Martins / Alexandre Conceição / Luis M. Barros


technical rider

1. stage and set

The stage should be at least 10m wide and 10m deep (plus backstage and service area) and completely levelled.

The minimum height (fly bars if possible) should be at least 6m.

The stage floor should be covered with non reflective black dancefloor.
We'll use the stage with no drops or legs at all (open stage), therefore all the walls around the stage should as neutral coloured as possible (pref. black).
We will need teasers accordingly to the local conditions to hide the technical structures like cables and flybars.

2. Material de iluminação


Lighting material to be supplied by the venue:

72 dimmer channels dmx512 with linear response

dmx cable from the dimmers to the sound and lighting booth (male 3 pin used 1 - ground / 2 - positive / 3 - negative)

lighting desk with at least 8 programable submasters and manual A/B crossfade on 120mm faders (pref. grand MA / StrandLighting 520 / LT lighting Hydra Stage)

For the needed cables please consult the sketch below.

3. Som

PA:
a 2 point source system (left/right und subs) each point granting full coverage of the audience (20Hz-20kHz @ 98dBa SPL) preserving 12dBu of headroom thruout the whole system.
for large venues we will need an additional central cluster
2 full range side fill monitors providing full stage coverage (pref. Meyer Sound CQ1)
3 floor monitors providing full stage coverage (pref. Martin Audio LE700 bi-amp).

Source/Process:
there should be a graphic EQ (1/3 octave - 31 bands) for each PA and foldback send.(5)

Channels list

position

channel

description

mike / DI

stand

insert

wireless1DjembéDPA 4061comp. 1
wireless2Vocal KabumDPA 4066comp. 2
wireless3Vocal AvéDPA 4060comp. 3
wireless4Vocal SócratesDPA 4060comp. 4
midstage right5acc. Guitar AvéDi BSS AR133
midstage left6acc. Guitar SócratesDi BSS AR133
midstage right7BassDi BSS AR133comp. 5
midstage left8lectric GuitarBSS AR133comp. 6
wireless9Lateola AvéDPA 4060
wireless10Lateola SócratesDPA 4060
midstage left11Rock AvéDPA 4060floor adaptor
midstage right12Rock SócratesDPA 4060floor adaptor
downstage center13ambienceDPA 4017mka2floor stand
downstage center14ambienceDPA 4017mka2floor stand
F.O.H.15CD leftline
F.O.H.16CD rightline
F.O.H.17return MPX1 leftline
F.O.H.18return MPX1 rightline
The system should be ready to be set up upon our arrival.

4. Sketches

in some systems this sketch might not be completefor accurate information please refer to this file in AutoCad 3D 2004 DWG format, compressed DXF 3D or in encapsulated Postscript
depending on your connection and system this application might take up to 10 minutes to load

the drawing below is just an example, please send us a sketch of your venue we'll try to adapt the technical specifications.

5. Working schedule




local technicians

dia

periódo

tasks

som

luz

rigging

ajudantes

primeiro

09:00 - 13:00

markings, light set up

3

1

14:00 - 18:00

light / sound setup

1

3

2

20:00 - 24:00

afinação

3

1

segundo

09:00 - 13:00

focus / program / sound setup

1

3

1

14:00 - 18:00

program / sound check / corrections

1

2

1

20:00 - 24:00

ensaio geral

1

1

1

terçeiro

14:00 - 18:00

correcções

1

1

1

20:00 - 24:00

performance / breakdown

1

2

2

6. dressing rooms

We will need a dressing room for 3 dancers with shower facilities and a backup room for storage and production support.

7. laundry service

We will eventually need dry cleaning service for several costumes.
Please confirm with our production upon our arrival

8. contacts

technical matters:
Anatol Waschke
anatol[at]anatol[dot]biz
+351 914 937 950
www.anatol.biz

production:
Companhia Clara Andermatt
Rua dos Caetanos, #1, 3
1200-078 Lisboa | Portugal
Tel +351 213 470 333
Fax +351 213 470 334
GSM +351 968 707 686
acccandermatt[at]mail[dot]telepac[dot]pt
www.clara-andermatt.com

document copyleft  by Anatol Waschke