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Document last modified @ April 01 2010 00:23:25.(GMT)

Ferloscardo - technical rider

mAdMuD

technical rider

1. stage and set

The stage should be at least 5m wide (+ backstage and service area), 3m deep and the grid must be at least 3m high.
The stage floor must be levelled (no inclination at all) and non reflective black in all acting areas.

2. Lighting gear

If possible, the house lights should be controlled by DMX.

Lighting material to be supplied by the venue:

  • 18 - channels 16A@220V of digital dimmers DMX 512
  • 08 - floor bases
  • 03 - PC (prismconvex) 1kW with barndoors, gel holder, hook etc.
  • 16 - PAR64 with CP62 optics with gel holder, hook etc.
  • 03 - profiles Robert Juliat 613 SX

the drawing below is just an example, please send us a sketch of your venue we'll try to adapt the technical specifications.

3. Sound

Public Address:
  • left and right clusters providing each full coverage for the audience (+/- 3dB SPL A-weighted) with expected linear response 20Hz-20kHz / +/-3dB providing 95 dB SPL (A-weighted) at mixing position reserving at least 12dBu overall system headroom
  • preferred brands: Meyer Sound, Nexo, Renkus-Heinz, D&B, Kling&Freitag
Stage Sound:
  • 1 floor monitors preferrably bi-amped
    preferred brands: Meyer Sound, Nexo, Renkus-Heinz, D&B, Kling & Freitag
Process:
F.O.H. mixing desk:
  • minimum 12 channels with 4 band paramatric (or sweep) EQ, low cut, insert, phase reverse and individual phantom power
  • must have at least 2 pre/post switchable aux sends
  • the sound booth has to be located in a central position in the audience
  • preferred brands: MIDAS, Yamaha PM series, Soundcraft MH series / Vi series
    Roland or Behringer consoles are not accepted under any circumstances!
    dynamics and FX:
  • 3 channels graphic EQ 1/3 octave 31 bands (2 for F.O.H. sound + 1 for Foldback)
    preferred brands: Klark Teknik, BSS, DBX, Drawmer
  • 1 multieffect (pref. TC Electronics, Lexicon PCM series or 480L, Yamaha SPX1000, 990 or 900)
  • 4 channels dynamic compression (pref. DBX, BSS, Drawmer)

Channels List:

position

channel

description

mike / DI

stand

insert

piano1vocalDPA 4060headsetvalve compressor
piano2percDPA 4060rubber clipcompressor 1
piano3piano lowDPA 4060magnetic clipcompressor 2
piano4piano highDPA 4060magnetic clipcompressor 3
FOH15MPX1 return leftline
FOH16MPX1 return rightline

The sound system should be set up and ready for testing at the arrival of the company.

    other equipment:
    • 1 CD player
    • 1 - grand piano (pref. Bösendorfer Model 225)
    • 1 - piano bench (the height should be adjustable)
    • 1 - note stand

3. Drawings (sketches)


PDF | SVG

4. Work schedule




local technicians

day

period

tasks

sound

light

rigging

stagehands

1

morning

setup set / light / sound

2

2

2

2

afternoon

soundcheck / focus / runthru

1

1

1

0

night

performance / breakdown

1

1

1

0


4. Dressings rooms and backup spaces

We will need 2 dressing rooms (at least one of them with a warm water shower) for 2 persons each.
The access to the stage and to the sound/lighting both should be as direct as possible and not accessible to the audience.
Please provide at least 1l of still mineral water for each of our crew members every of or stay.
If possible, we would like to have wired (LAN) internet access in at least one of the dressing rooms.

5. Laundry service

There might be the need of dry cleaning.
Please confirm on upon the companies arrival.

6. Contacts

technical matters:
Anatol Waschke
anatol[at]anatol[dot]biz
+351 914 937 950
www.anatol.biz

production:
Sofia Matos
+351 966 379 333
sofiamatos[at]bscultural[dot]org

document copyleft by Anatol Waschke